My DVDs of the new Visual Bible Gospel of John film arrived today. Unfortunately I have too much marking, teaching preparation and admin. to do to find time to watch it all so I'm taking it in segments. I've enjoyed it very much so far. It's nice to have a Jesus film in which Jesus appears from pretty early on. As Christopher Plummer narrates the Prologue, there are nature scenes, sunsets etc., John the Baptist comes in and gradually you see Henry Ian Cusick as Jesus walking -- but his face only finally revealed at the end of the Prologue. Cusick has a warm smile and seems rather engaging.
The film does have that typical Bible-film look about it. John the Baptist looks like an actor with a false beard and lanky long hair. Nothing has ever quite got the blood and dirt in the way that The Last Temptation of Christ managed, though I suppose The Passion of the Christ looks like it is going to be far more graphic in its violence than anything we've seen before.
I was intrigued to see how they would depict John the Baptist's speech about the dove descending on Jesus -- would they make it a baptism scene, i.e. would they allow themselves to be influenced by the Synoptic context? In fact they don't show Jesus getting baptized by John but they do show him arising up out of the water -- in flashback -- as John tells the crowd about Jesus.
The Wedding at Cana has Jesus' mother dressed in traditional blue so that she is instantly recognisable. In some ways this is a bold decision given that so few Jesus films do dress her in icon blue. The words of the Good News Bible, "Madam . . .", along with Jesus' smile, tend to make his words to her less harsh than they might otherwise have been.
The Temple scene is pretty interesting -- Jesus is quite animated -- far more so than in the older films like The Greatest Story Ever Told (Max von Sydow as Jesus making a carefully choreographed token effort at causing a scene) but it does not compare to the Scorsese (Last Temptation of Christ) temple scene -- one of the finest moments in Jesus film history. The scene did remind me of the Scorsese temple scene, though; the way that the Jewish leaders come down the steps to see what is causing the commotion and find themselves confronting Jesus directly -- this was very similar to Last Temptation even if it looked like a rather pale reflection of it.
Though I'm only up to the end of John 2, it's already clear to me that the production values are a bit higher than they were with the previous Visual Bible outing, Matthew, but it is only a bit. It does have a very similar feel to it, Christopher Plummer's narration relentlessly marching on just as Richard Kiley's did in Matthew. A nice feature of that film is missing in the new one. In Matthew, we sometimes see the aged apostle dictating to his scribe and it created a feeling of distance between the text and the events being narrated. But in Gospel of John the narrator is unseen. One improvement with Gospel of John is that we don't have the Bible verse ticking away in the corner as we did with Matthew. More reflections as I watch my way through it.
Incidentally, getting hold of it is not easy if you are outside the U.S.A. or Canada. It's not been shown in any British cinemas to my knowledge and there is no video or DVD release here. You can't order it from the official site because it will not ship to the UK or elsewhere. But there is a way round it if, like me, you are desperate to see it -- new copies are appearing every day or two on ebay. And if you are lucky (I was), you can even get it just a touch cheaper than it is on the official site, though the price gets pushed right up to the limit and sometimes over it. Also, it's useless if you haven't got a multi-regional DVD player because the ones on sale in the U.S. are all Region 1.
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