. . . . . Now, the matter of context remains an interpretive choice — by opting out of a portrayal of Jesus’ teaching and healing ministry, by ignoring the closely-reasoned controversies with his theological rivals, Gibson chooses to represent Jesus as unaccountably persecuted; he contrasts obscene suffering with utter innocence. But that’s neither the gospels’ narrative version of Jesus’ life and significance nor even the passion narrative that, even in Mark, constitutes a heightened, concentrated narrative exposition of how Jesus ends up on the cross. Gibson chooses to film only the grimmest moments from a narrative that ranges from shared joys to confusion and dismay to transcendent ecstasy to brutal, dehumanizing torture. He has the artistic freedom and theological rationale for so choosing — but that’s a choice, not a simple restaging of historical events.I like the idea of posting thoughts before going to see it; I may try to do the same.
Tuesday, March 02, 2004
Blogwatch: Before AKMA sees The Passion
AKMA has posted his thoughts On the Passion, Before I See It. It's an excellent post and I agree with everything in it. Just one excerpt, but read it all:
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